Bill Duke's 'Dark Girls' tackles color complexities among African Americans

buzzz worthy. . .



Documentary Director/Producer Bill Duke took cameras into everyday America in search of pointed, unfiltered and penetrating interviews with Black women of the darkest hues for their emotional expose’, “Dark Girls”. Two years in the making and slated to premier at the Toronto International Film Festival, “Dark Girls” pulls back our country’s curtain to reveal that the deep seated biases and hatreds of racism – within and outside of the Black American culture – remain bitterly entrenched.
Dark-skinned Black American women from all walks of life will be covered with a key focus trained tightly upon women struggling for upward mobility in the workplace of Corporate America. “These ladies broke it down to the degree that dark-skinned ‘sistas’ with ‘good’ hair vs. dark-skinned women with ‘kinky’ hair were given edges when it came time for coveted promotions.” Additional interviewees for “Dark Girls” include White men in loving intimate relationships with Black women that were passed over by “their own men,” as well as dark-skinned women of Latin and Panamanian background to bring a world perspective to the issue of dark vs. light.

Duke adds, “In the late `60s a famous psychological study was done in which a young Black girl was presented with a set of dolls. Every time the she was asked to point to the one that wasn’t pretty, not smart, etc., she pointed to the Black doll that looked just like her. In her mind, she was already indoctrinated. To watch her do that was heartbreaking and infuriating. CNN did the test again recently – decades later – with little progress. As the filmmakers behind ‘Dark Girls,’ our goal is to take that little girl’s finger off that doll
D. Channsin Berry who is the co-producer states of the film’s origin, “When Bill called me with the idea of a documentary about dark-skinned women, I was in right away. Being a dark-skinned Black man, like Bill, I have gone through similar traumas. Bill and I shared our similar experiences and immediately understood that we knew the best way to approach this.”
“In the early 2000s,” states a piece in The Hollywood Reporter, “blacks played 15% of roles in film andTV. Today, it has fallen to 13% … and black directors make up only 4% of the DGA.”
Bill announced in 2012 at the Pan African Film Festival in Los Angeles, that he was in the middle of developing two feature documentaries as follow ups to “Dark Girls.” “Yellow Brick Road” will look at the ‘colorism’ issue from the perspective of light skinned black women. The other documentary “What Is A Man?” will explore masculinity and manhood as it has transformed from the beginning of time to present day.

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