In SINNERS — Ryan Coogler’s latest film starring Michael B. Jordan — has just landed an extraordinary number of Academy Award nominations, here’s how that moment stacks up against Black Panther and why it matters culturally and historically.
The Black Panther director had grown his portfolii and presen greatly since the 2018 splash.
📊 SINNERS vs. Black Panther — Oscars Comparison
Black Panther (2018)
7 Academy Award nominations
3 wins (Costume Design, Production Design, Original Score)
Historic first:
First superhero film
First Marvel film
First Black-led film nominated for Best Picture
Seen as a cultural breakthrough, opening doors rather than dominating categories
SINNERS (2026) is he all-time record is still held by Titanic, All About Eve, and La La Land with 14 nominations — so if SINNERS is near or matching that level, it’s monumental even without surpassing it.)
Big Category Nominations
Best Picture
Best Director (Coogler)
Best Actor (Jordan)
Screenplay, Cinematography, Score, Editing, and more
Signals industry-wide validation, not just symbolic inclusion
🎬 What This Says About the Moment
Black Panther was about breaking the ceiling.
SINNERS appears to be about owning the room.
Where Black Panther forced Hollywood to confront its blind spots, SINNERS suggests:
Black filmmakers are no longer confined to “cultural achievement” lanes
Coogler is being treated as an auteur, not an exception
Michael B. Jordan is being recognized beyond blockbuster stardom, into prestige acting territory
🔥 Why This Is Bigger Than One Film
This isn’t just about trophies — it’s about power, authorship, and narrative control.
If SINNERS is racking up nominations at a historic pace, it means:
Black stories are no longer being siloed
Awards bodies are responding to craft, not just cultural pressure
The post-Black Panther era is no longer “Can this happen?” but “How far can it go?”